Friday, December 13, 2019

Excellent Women by Barbara Pym (1952)

After reading her first novel quite some while ago, it is great to be back visiting Pym. From memory, the previous one was set in a village in the country, whereas this is set in London, so quite a change of milieu. Clearly, she is famed for her investigation of what could be described as the smallness or seeming incompleteness of women's lives mid-twentieth century, and this one is an example of that. Equally obviously, one of her great claims is in how she makes humour from that purportedly limited material, and there's no questioning that here! This one's space is placed amongst the attendees and surrounds of an urban London church in 1945. The main character, Mildred Lathbury, knows herself to be one of the 'excellent women' who formed the backbone of a church's community back then when the church was a great deal more alive. That world presided over by the vicar and including bazaars and fetes as fundraisers is very much her locale, but she is also aware of herself in it as seen from the outside, at least to some extent. She knows that she might appear disappointing to a more romantic, or deep-living individual, and her connection to that wider world comes from imagination, poetry and occasional spurs of contact with more travelled types. She accedes in seeing herself with some disenchantment, definitely, but is keenly realistic about what someone of her nature can stand, or manage. Pym allows us to see this in quite a lot of detail; my suspicion being that the depiction is one of herself, give or take a bit. This combination of faithfulness to the details of the somewhat strictured life, where she appears to celebrate its limitations and delight in the minority of its concerns, with quietly sly undercutting of their constraining smallness through tossed-off satiric swipes, is the adroit stuff of the Pym mixture. This one centres around a couple who move in on the floor below Mildred. Rockingham (Rocky) is a handsome and effusively charming officer, just back from the war in Italy, whom Mildred imagines as having charmed a swathe of lonely Wrens at his villa, and Helena is a semi-glamorous looking anthropologist who hasn't seen Rocky consistently for the duration, and has got on with her academic life as best she can, including very possibly some amorous adventures. Mildred is careful around them, as they seem so urbane and worldly. Through visits to Helena's learned society, meetings with various unmarried and possibly eligible males, frugal meals, both out and in, in the rationed restriction of these spare new days of freedom, a drama with the vicar and an entrapping widow, and gossip with her associates among the bevy of excellent women who keep the whole edifice moving, Mildred's preparedness to help, occasional social uncertainty and wry self-criticism are well-exercised. Also given a workout is dry reproval of not only the smallness of mind necessary for such a life, but also of the more expansive romantic silliness to which she is largely immune. Attitudes to the should and shouldn't of things are compassed with forgiving fascination and zest by Mildred as she is given more of an education in how others live. Though I couldn't possibly survive on a diet of this shade alone, I cannot but acknowledge its penetrating intelligence, and saving comedy.

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