Sterling Karat Gold by Isabel Waidner (2021)

 This is a fascinating cartoon. Basically a comic of alternative heroism. I'm not all that much into all the new politics of the non-binary, though I would on principle support it when confronted with human beings who expect respect, which seems fair! What Waidner is doing here is setting up a fantastic scenario: a non-binary central character and their non-binary friend, who are residents of a Camden estate, and indulge in performance art-ish happenings, are in the mix of the area with various others, binary and not so. The bomb of the action is set off by "bullfighters" who (what can we call it?) "contend with" the central character on the street. This will indicate the remove at which events are described here. I think it can be read as an attack, and the assumption can be made that they are street yobs who have a go at someone who is different. But of course in the language of this piece there is a choreographed quality to how it's presented, and a slight separation from reality. From this a lot concatenates, with perhaps police investigators playing a part, though they are represented almost as secret agents. This develops a little further with an almost-reference to Kafka and a "trial" (some sort of mysterious legal case) that is brought about against Sterling, the main character. Also included is some politics, mainly to do with gender issues and those of refugees. Much of the narrative concerns the world as seen from these alternative points of view, all sieved through the language of fantasy - outfits, both humorous and street high fashion, are limned in detail; identities and histories wash in and out of focus, with wishes and desires as important and telling as realities; time telescopes and time-travel is possible, in order to right wrongs or see vanished loved ones; small poetic resonances are repeated for effect. All these things tumble in and out of one another intriguingly - the key thing being that, in the style of the piece, there is a really good economy: this is not flabby with all the excess of imagining - it's concentrated. The end is pretty dark, but, given what I think the piece is trying to say about how it feels when you are the one under attack, the violence in it seems....I hesitate to say appropriate.....perhaps accurate. The author appears to be asking: "how would this play if the boot were on the other foot?"